Find the artist. EXHIBITED: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. 30 x 22 inches See Specialist's pictures for more details. Condition reports are available upon request. The canvas has been tacked over panel, the edges are covered with tape, and there is cracking throughout.

Condition Report: He studied art at night at the National Academy of Design, and in May, 1856, rented his first studio, which was located in Brooklyn. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Provenance: Attributed to J. G. Brown. (USA) Condition Report:

A Young Woman Paring Apples For that reason, Freeman's condition report is not an alternative to taking your own professional advice regarding the condition of the lot. (American, 1831-1913) "Third Annual Exhibition of American Oil Paintings," Art Institute of Chicago, Chicago, Illinois, Summer 1890. literature: "Artistic and Autobiographic in Every Line of Pen," in New York Herald, November 24, 1889, p. 12 (pencil drawing reproduced). Estimate:

Signed lower left "J. G. Brown N.A. Canvas: Lined Condition: Very Good Restoration: Very Minor Frame: Antique In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above.

(1915-), • Abadie, Jean In contrast, the rustic interior and simple way of life depicted in the work is what appealed to Brown's collectors, who largely idealized the country lifestyle with its associated simplicity and honesty. Some old varnish residue.

Measures 21 1/2" height x 14 3/4" width + 4 7/8" mat & frame (54.6cm x 37.4cm + 12.3cm).

Signed to lower right. See specialist's pictures for more details.

Private Collection, Pennsylvania. He studied art at night at the National Academy of Design, and in May, 1856, rented his first studio, which was located in Brooklyn. 2 (as Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. (1874-1953), • Abbott, Berenice By descent in the family. $1,500 - $2,000, Description: The surface of the work is a bit dirty and would benefit from a light cleaning. Examination under UV light reveals scattered restoration at bottom left, along the bottom outer edge as well as bottom right (pinpoint dot of inpainting noticeable right below the signature).

$5,000 - $7,000, Description: American, 1831-1913 Prestige Galleries, Skokie, Illinois All statements in this condition report, or statements made verbally, are purely our best opinions, not blanket statements of fact issued by this auction house. We also note minor restoration of the same type on the bottom of the girl's dress, at her waist, and to the right of the flower on the boy's hat. $15,000 - $20,000, Description: Minor paint loss is visible on the upper right and lower left corners. Any reference to condition in the condition report for the lot does not amount to a full description of condition. View biographies and art prices. Frame: 38 x 27 in. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Our goal is to help you to identify unknown artist or illustrator signatures, using our large selection of illustrator signature samples. (effaced) and dated Original etching by John George Brown $3,000 - $5,000.

3.

A Boy and His Companion We notice scattered restoration, all relatively minor and very localized. As he simply explained to an interviewer, "I desired to paint some Grand Manan fishermen, and I went to Grand Manan and painted them from the life - their fish, their clothes, their boats." Property of the Estate of Ellen Graydon Hill, Cincinnati, Ohio, Estimate:

With minor craquelure throughout. Private Collection, South Carolina. New York, California,1831-1913 (American, 1831-1913)

William Moore estate, Milton, MA).

In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report.

The work is protected by a thick layer of old varnish, which sometimes makes it hard to see through.

Under UV: there is inpainting to address frame abrasion along the extreme outer edges and a few other scattered pindots.

(1930-), • A’becket, Maria Signed

N.A.' One of the leading American artists of the late 19th century, Brown was indeed one of the most successful artists of his day, and very much a fixture in the New York art world. (30.5 x 25.4 cm) provenance: Paul J. and Patricia A. Zecchi. (USA) Holds brass plaque lower center. Craquelure.

We wish to thank Dr. Martha Hoppin for kindly confirming the authenticity of the present work, and for her kind assistance in cataloguing it.

Frames on all paintings are sold "As Is". Scattered craquelure throughout. $50,000 - $70,000. John George Brown (American, 1831–1913)

Private Collection, Colorado. 13 1/4" x 9 1/4". 22 1/2 x 16 1/2 inches Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. ETCHING BY J.G. $10,000 - $15,000, Description: Signed twice, once in pencil in the bottom right, and just above that again as part of the print, both signatures are J.G. C. Condition Report:

FindArtInfo.com contains price information on all kinds of fine art, oil paintings, etchings, engravings, watercolors, drawings, sculptures and much more ranging from Old Masters to Contemporary Art.

$70,000 - $100,000, Description:

Older repair also visible in the background at upper center (most likely an old scratch running horizontally for about 3 inches). signed J.G. Lot 96: John George Brown (English 1831-1913), Lot 96: John G. Brown, Don't You Like Butter? Brown. Estimate: Description:

For that reason, Freeman's condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. Description: There is a possible touch of inpaint in the face of the boy. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE, Estimate: During Brown's time, the island was already a popular site for artists, including Frederic Church who was amongst the first painters to discover and record its abrupt shoreline and treacherous tides. His designs so impressed his employer that he helped Brown study in New York with miniaturist Thomas Cummings whose daughter Brown married. A finely detailed work and great example of Brown's career. Canvas: Lined Condition: Excellent/Very Good Restoration: Very Minor Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. and participating auction houses. (1930-), • Aba-novák, Vilmos Frames may need some conservation.

There is fine surface cracking in sidewalk. LITERATURE: Acquired directly from the above sale. Private Collection, Idaho. Brown' bottom right; also titled, signed and copyrighted verso, oil on panel 8 x 6 in. Description: (1858-1927), • Abbett, Robert Kennedy Oil on canvas (1965-), • Abbate, Paolo Salvatore No returns will be accepted on the basis of condition. The Boquet [sic])

Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Alexander Gallery, New York The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Such areas include> boy's face (forehead, right ear, nose), his scarf, his right sleeve and a tiny point on his left shoe. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. For that reason, Freeman's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Examination under UV light reveals a thick layer of varnish, as well as extensive restoration: along all outer edges, on the boy's sleeves at bottom left and bottom right, as well as on his face and fingers (those to his mouth). Estimate: (1876-1964), • Abbott, Yarnall signed and dated lower left This page was last edited on 8 May 2020, at 20:53. Synthetic varnish moderate to extensive in-paint scattered throughout, areas of loss, separation and disintegration, remnants of earlier discolored varnish visible in ultraviolet light, minor losses in plants at lower left and in center right edge. Royalties from just one lithograph, distributed with packaged tea, totaled $25,000.Though he claimed the successful formula of "contemporary truth" for his pictures, none gave doting collectors or wealthy patrons cause for social alarm. Condition Report: Frames on all paintings are sold "As Is". We are offering our professional opinion. Estimate:

Condition Report:

Art Forum | Hoisting the Sail Signed 'J.G. The sailor's rugged, yet impressionable, appearance is echoed by the vigorous brushwork and palette of fierce blues and oranges the artist employed - a novelty in Brown's œuvre that still contributes to its timeless appeal today. Brown/1860' bottom left; also with preparer's stencil verso, oil on canvas 12 x 10 in. Bonhams, New York, sale of November 29, 2005, lot 22. $2,000 - $3,000. Use the slider to limit to artists who were alive at the time you estimate the painting is from.

The artist painted numerous snowball scenes throughout this career, often involving one boy in variations of this stance and theme (hiding behind a wall, getting ready to throw etc.).

Painting measures 24 inches x 16 inches. When you click on an artist's name, you will automatically access all the artist information (such as …

(1921-), • Abakanowicz, Magdalena Any reference to condition in the condition report for the lot does not amount to a full description of condition. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE, Description: AMERICAN ARTIST John George Brown. Doyle New York shall have no responsibility for any error or omission.

Small areas of paint loss are visible throughout. Below you can browse the artists by their last name. 22 1/2 x 16 inches.