The S-80 C mouthpiece is a good professional option for alto saxophone players.

The Meyer Bros. tenor mouthpieces are not nearly as popular as the altos. We’ll update this page as more items become available. Please feel free to print it out if you can use it. And remember, once you’re sorted with your mouthpiece, you might want to check out these 10 important saxophone accessories…. The Meyer NY mouthpiece is an alto sax mouthpiece. Jazzfuel is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.

It's a special model that has been released for the brand 100th anniversary. Syos mouthpieces are delivered with their ligatures. As there are for all the other types, alto saxophones also have many different types of mouthpieces. It contains some of the top-recommended and best alto sax mouthpieces that you can use to perform exceptionally well. So you have a unique mouthpiece made with a unique making process!. The small chambers were very bright, and the large chambers were very dark.

We hope you find the above-mentioned list very useful. The later model also had a thicker ramp. This material has been first used to make pipe stems, bowling balls and electrical insulators. In order to get the most suitable one, all you need is to specify your budget range and identify your needs as a player. It is available in different tip openings (5M, 6M and 7M) and is available on special request only. The early version had the chamber size marked on the shank UNDER the table and included the word ‘chamber’. They have less of the rounded inner side-wall than the earlier model but do retain the same amount of baffle. Peter Ponzol came with a well balanced design. These mouthpieces have aesthetic and acoustic qualities apprecieted by the world famous saxophonists. Considering the quality, durability and functional efficiency, all are good. This is the original free-blowing NY mouthpiece with superb control and playability. JJ Babbitt. Many players prefer this resonant quality though. Each make and model of sax mouthpiece will be available in a range of tip openings. This ebonite mouthpiece is designed specifically for jazz and commercial styles, with Vandoren’s Java or V16 reeds in mind: it aims to combine the bite and edge of a metal mouthpiece with the comfortable feel of hard rubber. 1936 – The Meyer Bros Mouthpiece Company is founded & their first metal mouthpiece is released. For sax mouthpieces the common rule is that softer materials produce a darker sound with less projection, while harder materials just the opposite (brighter and more projection). Syos mouthpieces are made with ABS polymer which is non-toxic and provide musician with a great comfort in the mouth. I will probably retire my Vintage Meyer and switch to the NY.”, “Astonishing projection! The best alto saxophone mouthpieces for jazz Meyer ebonite. “They nailed it! However the small and large chamber versions are very special and unique playing mouthpieces.

So, whilst the question of ‘best’ saxophone mouthpiece for jazz will be personal to each individual player, we hope this guide will give you some useful insight and help with the decision-making process! The wet reed bottom also expands into the table and further deforms the reed bottom, not allowing it to lay flat. Stock is limited to the sizes and models you see here. Depending on how capable you are in playing the alto sax, you can easily select from these Alto Saxophone Mouthpieces. ABS is a noble plastic material with high resistance to scratching and hot temperatures, so it’s a good material for saxophone mouthpieces. However, it’s important to remember that, ultimately, the player creates the sound, not the equipment, and the best thing to do is to find something that feels good (without expecting miracles! The below left mouthpiece is the medium chamber model and the right mouthpiece is the large chamber model. As we mentioned, it pays to do your homework and try out some different options. about vintage Meyers in

It is noted for its clear, even tone across the range of the instrument.

The American Meyer brothers first began making sax mouthpieces in 1916, and their products were played by numerous saxophonists during the golden age of jazz, including Sonny Stitt and Cannonball Adderley. And remember that this chart is to be used as a rough guide only. Facings … SYOS (which stands for Shape Your Own Sound) then creates the mouthpiece to the customer’s exact specifications using ABS plastic and 3D printing technology, with an array of distinctive, bright colours and designs available. For beginner, it’s recommended to choose a Syos signature model to avoid risks. It is interesting though that the larger of the two small chambers, the medium chamber and the large chamber do look and play very similar. Most of the best alto saxophone mouthpieces in the past century have been made in hard rubber. See more information (Beginners Guide to the Instrument), What are the Best Saxophones for Jazz? The below top two photos show the two small chamber models. Your email address will not be published. Considered something of a ‘blank canvas’, this is an extremely versatile mouthpiece that can be played in almost any style. The finish work on these was excellent.

The Meyer "M" mouthpiece (for Medium) is a line created for soprano, alto, tenor and baritone saxophones. They have a flatter inner side wall forming an almost triangular chamber. Vintage saxophone mouthpieces are popular with some jazz musicians, with mid-century Meyer and Otto Link models considered particularly desirable, although obviously quality and condition can vary widely with these. One of the best alto sax mouthpiece for jazz music is the standard meyer mouthpiece. This decision will be impacted by which saxophone you play: almost all jazz alto players (and certainly all classical players) opt for ebonite mouthpieces, the only exceptions really being players of smooth jazz and funkier/fusion styles (Dave Sanborn, for example). It also had a slightly longer shank, while the overall length of the mouthpiece stayed the same. 1-16 of 98 results for "meyer alto sax mouthpiece" Skip to main search results Amazon Prime. This expensive wood was sometimes used to handcraft a saxophone mouthpiece, but today most mouthpieces are designed on computers and machined using plastic or metal, before beeing finished by hand. These had a slightly larger chamber than the later Meyer Brothers mouthpieces. The metal alto saxophone mouthpiece is not always comfortable, especially when played outside in the cold. Otto Link. It is manufactured by SELMER, and it is an ideal choice for someone that is looking to upgrade their mouthpiece from a beginner design. Both will provide you with a very good sound quality, so between the tradition and the innovation, it's up to you! Metal is a choice related to aesthetics, durability and comfort. The saxophone is a symbol of jazz music. Hence they also had a little less projection and punch. CMUSE is your music news and entertainment website. The Guardala MB is named after jazz great Michael Brecker who used this mouthpiece on tenor sax. Avg. Syos choose the ABS plastic for the making of alto sax jazz mouthpieces. While they have changed from the vintage Meyers, they are the same general concept, and still a very good alto mouthpiece. The Meyer "G" mouthpiece for alto and tenor sax is designed for musicians that are looking for a deep, soft and dark tone. There are also mouthpieces for less common saxophones such as sopranino, C-melody, and bass saxophone. Saxophone Mouthpieces; Alto Saxophones Mouthpieces; Tenor Saxophones Mouthpieces; Clarinet Mouthpieces; See All 3 Departments. Guy Hawkins With all his technical background and experiment in shaping the sound, the professionnal jazz player choose a Syos alto sax mouthpiece for the comfort an the feeling of freedom it provides. We’ll look at which jazz greats played which mouthpieces, the difference between rubber ones and metal ones, as well as specific recommendations for choosing both tenor sax mouthpieces and alto sax mouthpieces. The distance between the reed tip and the mouthpiece, called the tip opening, is very important. The popular NY (New York) Meyer mouthpiece for Alto sax is being introduced by jj Babbitt in commemoration of our 100th anniversary. Looking for more saxophone tips? The later Meyer Bros mouthpieces came in the boxes shown in the right picture. Check out our guide to the best saxophone players in history, our feature on the music of John Coltrane or the 2020 guide to buying a new saxophone for jazz. The modern alternative is a Syos alto saxophone jazz mouthpiece, with very trendy colors that are flashy on the stage, and a large amount of different sonorities for jazz saxophonists.

Meyer has a showroom to test mouthpieces. The brand has grown a lot over the past century and became one of the most famous brand in the saxophone mouthpiece market. The popular NY (New York) Meyer mouthpiece for Alto sax is being introduced by jj Babbitt in commemoration of our 100th anniversary. Though officially the Meyer Bros. mouthpieces came in three chamber sizes, really there were four. The best alto saxophone mouthpieces for jazz Meyer ebonite. Syos mouthpieces are made thanks to 3D printing technology, a "french touch" innovation that has been awarded by the Best Paris innovation award 2018. All the signature alto mouthpieces are available in the color and the tip opening you want. The reed is fixed on the saxophone mouthpiece with the igature. The most popular model for alto is the medium chamber. Mouthpieces are one of the only instrumental accessories that come in different to produce completely different types of sounds. Ike Quebec played the brass version of this mouthpiece: They even had a clarinet version which is very unique as it had rounded inner-side walls and a round chamber just like their saxophone mouthpieces. Required fields are marked *. We hope you find the above-mentioned list very useful. The label 'Discover Jazz' is attached to articles which have been edited and published by Jazzfuel host Matt Fripp, but have been written in collaboration with various different jazz musicians and industry contributors.